Archive for the Music Theory Category

Understand Strumming Part 1 – Rhythmic Values

Posted in Exercises, Music Theory with tags , , , , , , , , , , , on November 28, 2008 by anointedforworship

Many people learn rhythm/strumming as patterns (e.g. D-D-U-U-D, etc)

While effective, it also quickly leads into 2 catasthrophic outcomes in the guitarist:

a) stuck in a fixed pattern all the time, cannot break out of the “patterns” he learnt. Unlearning this habit is very tough!

b) cannot catch grooves or play in time

This section of theory hopes to bring across the importance of learning basic theory to understand rhythm.

Every musical notes are held for a certain duration. Mixing different notes with different durations will result in different sounds = music!

These are the basic time durations:

Whole Note Duration- hold a note for 4 full beats

Half Note Duration – hold a note for 2 beats

Quarter Note Duration – hold a note for 1 beat
i.e. 1 beat per metronome click

a.k.a “4 Beats”

|  1        2        3        4  | metronome
1        2        3        4  | play

8th Note Duration – hit 2 notes every beat (1/2 beat duration)
i.e. 2 beats per metronome click

a.k.a. “8 Beats”

|  1          2          3          4        | metronome
1    n    2    n    3    n    4    n   | play

16th Note Duration – hit 2 notes every beat (1/4 beat duration)
i.e. 4 beats per metronome click

a.k.a. “16 Beats”

|  1          2         3         4          |metronome
1 e n a 2 e n a 3 e n a 4 e n a  | play

A basic strumming pattern is basically derived from any of the above, but removing some beats within the measure. We’ll look into this in detail in later postings. Meanwhile, try to understand the various durations 🙂

Jazz Blues, Walking Basslines

Posted in Exercises, Music Theory with tags , , , , , , , , , , , on November 26, 2008 by anointedforworship

Part 1

Part 2

Basic Strumming Patterns Derivation

Posted in Exercises, Music Theory with tags , , , , , , , , , , , on November 26, 2008 by anointedforworship

Basic Jazz – Blue Bossa

Posted in Exercises, Music Theory with tags , , , , , , , , , , , , on November 26, 2008 by anointedforworship

Basic Jazz – Blue Bossa Part 1

Basic Jazz – Blue Bossa Part 2

Basic Jazz – Blue Bossa Part 3

Harmonizing a I-VI-II-V Progression

Posted in Exercises, Music Theory with tags , , , , , , , , , , , , , , on November 26, 2008 by anointedforworship

Harmonizing a I-VI-II-V Progression in C Part 1 – Overview

Harmonizing a I-VI-II-V Progression in C Part 2

Harmonizing a I-VI-II-V Progression in C Part 3

Harmonizing a I-VI-II-V Progression in C Part 3

Barre Chord and Finger Exercises (without having a guitar)

Posted in Exercises, Music Theory with tags , , , , , , , , , , , on November 26, 2008 by anointedforworship

How did Barre Chords exist?

Posted in Music Theory with tags , , , , , , , , , , , , on November 26, 2008 by anointedforworship

Various Barre Chord Forms

Posted in Music Theory with tags , , , , , , , , , , , , on November 26, 2008 by anointedforworship